Top 5 Albums of 2009

I Know. It's a little bit late for the "Best of 2009" article. But I was busy trying to beat Super Mario Bros. 3. And no, I haven't done it yet. World 8 is just impossible. But before I drive myself to eating a different kind of mushroom just to deal with my inability to beat this 20 year old game, I figured I'd distract myself by finally doing this. I give you the Fleshy Fresh's Top 5 Albums of 2009.

5. Metric - Fantasies

Hello. This is Metric. They are relatively new to popularity, but they showed that they deserve it with their release of Fantasies last April. It seems that everyone these days is trying to get somewhere with a female-fronted band, but few groups can do it successfully; and Metric is one of them. Emily Haines is a strong frontwoman with a unique voice, giving the band a unique sound. The best part of this album is Haines attempt to deal with what seems to be an existential problem in "Help, I'm Alive" and "Blindness." The miraculous thing, though, is that she tackles these issues while keeping the music up-beat and avoiding the typical depression-ridden sound that groups like Bright Eyes made so popular (and eventually so hated).

4. Maria Taylor - Ladyluck

Ladyluck brought everything we at the Fleshy Fresh love about Maria Taylor, and then some. She has her slow songs, where she gets to show off her unique ability to lull you to sleep with her soft, infectious voice. She has her full-band songs that show off her grand vision without trying too hard. And she still has strong song-writing skills. This girl has a long career ahead of her, and she proved it with this release.

3. Dave Smallen - Everything Changes and Nothing Changes

It was very tempting to put Smallen's Waiting For the Pills EP on this list of the best of 2009. But Everything Changes and Nothing Changes has all of the songs that Waiting has plus a few extra goodies. Where do we get started? "Waiting for the Pills," "America," "With the Sky All Blue," "I Think It's Getting Better." The record is overflowing with brilliant songs of homelessness, desperation, and self-challenges. It's reassuring to know that he can capture his intense honesty in his recordings. Well done, Dave. Well done.

2. Thursday - Common Existence

Sadly, this is a band that has gotten little attention on the Fleshy Fresh, but for Thursday to be forgotten after such an epic release in 2009 would be an injustice. Common Existence is a breath of fresh air after their previous A City by the Light Divided, which seemed to either be missing something or simply the result of Thursday trying too hard. But the band brought back their tension building intros and stress-relieving power in Common Existence. Welcome back, Thursday. We missed you. Now keep it up.

1. Paramore - Brand New Eyes

I imagine that to some, the fact that Paramore is first on this list will be mildly upsetting. I have checked several "Top 5" articles across the internet that claim to give the best records of the alternative genre for this year, none of which include any of these 5; and most of the picks are things I've never heard of. In other words, this selection might not be musically elitist enough for someone who blogs about music. But the simple fact is thus: Brand New Eyes packs the punch. Hayley Williams is one of the most amazing female frontwomen that this country has seen in years, and she proved it on Brand New Eyes. The pipes in this little woman are astounding! Take one listen to "All I Wanted" and I guarantee you will be blown away. And the record really delivers with the strong song-writers and talented hook-writers that make up the other members of the band. Sure, some songs stand out more than others, such as "Ignorance," "Brick By Boring Brick," and "The Only Exception," but there is not a single bad song on this record. If you're going to listen to anything I say here, listen to this: Paramore deserve all the attention that they have received in the past few months. They are here and here to stay.

Honorable Mentions: Sondre Lerche - Heartbeat Radio, Silversun Pickups - Swoon, and The Von Bondies - Love Hate and then There's You.

Girls by Girls

This week was Girls Week. So here is the best of the best songs sung by some stunning females. Some of it we played on the show, others are blog-exclusive.

1. Sara Bareilles and Ingrid Michaelson - "Winter Song"

Perhaps one of the best songs about winter. The mood of the song fits the title perfectly. I still get chills listening to it. Go look up the video on YouTube (embedding is disabled).

2. Regina Spektor - "The Call"

This song was not on any of her own records. Rather, it appeared on the soundtrack for The Chronicles of Narnia: Prince Caspian. It comes in right at the end, as everyone is saying goodbye. And that's what this song is about: how hard it is to say goodbye unless you remember everyone will come together at least once more.

3. Maria Taylor - "Time Lapse Lifeline"

A great song about the fleeting nature of life and time. The best thing about this song? The way that it kicks in.

4. Feist - "My Moon, My Man"

Probably the catchiest song off of The Reminder.

5. Beautiful Small Machines - "Robots In Love"

A catchy, techno-esque song. We're all just robots in love, right?

Maria Taylor Doesn't Even Care About This Interview...

ALLSTON, Mass.—The last time Maria Taylor came to the Boston area she brought a completely different band, she had a completely different record to promote and she played at a very different venue. While so much has changed since her visit last June, one thing has stayed the same the entire time: it is, and always has been all about the music.

The 32-year-old singer-songwriter played to a hefty crowd at the Great Scott in Allston last Tuesday night on a tour that will take her through New York City before she heads back home to Los Angeles. In a quick interview before her headlining performance, Taylor spoke about how this tour has been fun, how the economy has changed the music industry, and how, at the end of the day, nothing is more important than the music she makes.

“There’s just this different thing,” Taylor started off, with a smile on her face and a vodka and soda water in her hand. “Usually I have fun on tour but there’s a side of me that gets stressed out. There has been no
stress and no tension,” she said.
Much of the added relief this time around is due to the company she has with her on this tour. Whispertown2000, also from Los Angeles, are an indie-band with whom Taylor has a long history. The two bands share several band members, making for a very tightly knit group. Among them are Morgan Nagler, Whispertown2000 lead singer, who affirmed, “We are all in love with each other.”

Taylor brings different people on tour every time. She says that if she is going to play music as a solo musician she sees no reason to keep herself around the same people all the time. “For one, I have so many friends that don’t get to travel like I do. I want them to see what I get to see. And for me it just makes it more fun so I’m not around the same people,” she explains.

The mixing of members also does something for the music. “Every tour sounds different because people add their personalities [to the songs],” Taylor said. It also helps to keep things fresh to a young woman who has been playing some of the same songs since the release of her first solo album, “11:11,” in 2005. “When it came to ‘Song Beneath the Song,’ I was like, ‘we have to change it.’ So we changed the key and I told people to play whatever they want during the interlude,” she said.

Despite the need for a mix-up every now and then, the music still holds a personal connection with the Birmingham, Alabama native. “I have my babies,” she says, speaking of her favorite songs, “and I’m so emotionally attached to them.”

She wastes no time writing music, immediately tossing out ideas for songs that she doesn’t like. “There are some people who have 20 songs [on a record] and they don’t care for some of them. Pretty much every song I have I put on a record,” she said.

It’s this kind of love for her music that keeps Taylor writing music, going on tour, and playing the “game” she calls the music industry. In a tough economy, Taylor maintains that there is nothing else for her to do, despite that she expects to make less money on this tour than on past tours. “It’s weird,” she says. “’Cause you want to progress in your career, you know?”
Taylor’s manager insisted that she take a tour manager along with her on this tour. She says that she has so much fun on tour that she often forgets to get paid.

“This is absolutely what I would do for fun and that still amazes me. And sometimes I feel like I don’t take it as seriously as I need to ‘cause it’s my job and my career and I don’t have a family to fall back on. I need to grow up,” she confesses.

Not every day is a walk in the park, though. There is an aspect of her career that she has no taste for: the music industry. “My whole thing with this industry is that I love music and I want to be a part of it but the industry grosses me out. I have to play the game a little bit but I don’t want to,” she says. Little attention is paid to album sales, profits made, or ranks on billboard charts. “I don’t give a shit,” she says with a smirk on her face. “I don’t even care about this interview.”

Just before it’s time for Taylor to take her place on the stage, she pauses for a picture with two fans—a debacle in which Taylor insisted that the picture be taken several times. “I look so drunk!” she says. “We have to do it again.”

As the lights dim and the house music is cut any signs of inebriation are far from noticeable. The small room is filled with cheers and screams while camera flashes light up the air previously lit by only the neon beer signs that line the rustic brick walls. Drunk or not, Taylor affirms what she said in the interview: she is overcome by an honest look of pure contentment. The night ends with a Whispertown2000-Maria Taylor collaboration and a rousing round of “Happy Birthday” to Casey Wisenbaker, who played drums for the majority of the night.

There is a definitive atmosphere in the room that Taylor predicted before taking up her spot behind the microphone. “People come in and you feel the energy and then every song is like a different song every time.” Even without such an atmosphere, though, it’s clear that she would be set back only very little. “Even if no one was here, though, we would be having a great time,” she says. “That’s how you know it’s going to be a great tour: even if no one comes, we just have fun with each other.”

Show Re-cap, Maria Taylor, and Making the Time Pass By

Hi Peeps. Here's the rundown for yesterday's show:

TBS Countdown: "Cute Without the e (Acoustic)" from Punk Goes Acoustic Vol. 1
Countdown to Blink: Reckless Abandon from Take off Your Pants and Jacket
Love is for Losers: Maria Digby - "Girlfriend"
Fleshy Flashback: June - "If Kenneth Could Speak"

Our unsigned artist of the week was none other than the lovely Jenny Owen Youngs. She put out a new EP called Led To the Sea. We'll have more on her later, but until then, stop by her website and visit her on iTunes.

Also, for your viewing pleasure, and in honor of Maria Taylor's show at the Great Scott tomorrow night, here is her video for "Time Lapse Lifeline." Got any questions you want answered by MT? Let me know!